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CMS600 / CMS1000 / CMS1600 / CMS2200

CMS600 / CMS1000 / CMS1600 / CMS2200

SPECIFICATIONS
1. Mixing section:
With a gain range of 60dB and extremely low noise and total harmonic distortion (THD), it sets a new standard for professional mixing equipment. At the same time, it also has phantom power supply (with a switch for six channels per group), a half parametric equalizer with 3-segment intermediate frequency scannable, 4 auxiliary outputs, monitoring/muting functions, ALSP dustproof pusher, 2 × 7-band graphic equalizer, two feedback filters, and four stereo channels.
2. Effect section:
Two independently controllable 24/48 bit stereo digital effectors provide a total of 198 preset effects, optimizing live sound and comparable to studio sound quality. As long as you press the up and down keys, you can easily convert various reverberation effects, such as spatial reverberation, board reverberation, echo reverberation, harmonic reverberation, mono/stereo delay effects, and many other special effects channels (mono+stereo): 6+4
Microphone gain (mono): 0dB...+60dB
Microphone gain (mono): 10dB...+60dB
Stereo line gain: -10dB...+20dB
Total harmonic distortion+noise (1kHz, MBW=80kHz, mic input to main output,+16dB, typical):<0.005%
Frequency response range (-3dB, 1kHz, any input to mixed output): 15Hz... 55kHz
Channel crosstalk degree (ref. 1kHz):
Fading of the thruster and auxiliary output:>85dB
Channel to channel:>80dB
Common mode rejection ratio (mic input, 1kHz):>80dB
Input sensitivity (all levels controlled at maximum position):
Mic input: -74 dBu (155 μ V)
Line input (mono): -54 dBu (1.55 mV)
Line input (mono): -34 dBu (15.5 mV)
 
SPECIFICATIONS
1. Mixing section:
With a gain range of 60dB and extremely low noise and total harmonic distortion (THD), it sets a new standard for professional mixing equipment. At the same time, it also has phantom power supply (with a switch for six channels per group), a half parametric equalizer with 3-segment intermediate frequency scannable, 4 auxiliary outputs, monitoring/muting functions, ALSP dustproof pusher, 2 × 7-band graphic equalizer, two feedback filters, and four stereo channels.
2. Effect section:
Two independently controllable 24/48 bit stereo digital effectors provide a total of 198 preset effects, optimizing live sound and comparable to studio sound quality. As long as you press the up and down keys, you can easily convert various reverberation effects, such as spatial reverberation, board reverberation, echo reverberation, harmonic reverberation, mono/stereo delay effects, and many other special effects channels (mono+stereo): 6+4
Microphone gain (mono): 0dB...+60dB
Microphone gain (mono): 10dB...+60dB
Stereo line gain: -10dB...+20dB
Total harmonic distortion+noise (1kHz, MBW=80kHz, mic input to main output,+16dB, typical):<0.005%
Frequency response range (-3dB, 1kHz, any input to mixed output): 15Hz... 55kHz
Channel crosstalk degree (ref. 1kHz):
Fading of the thruster and auxiliary output:>85dB
Channel to channel:>80dB
Common mode rejection ratio (mic input, 1kHz):>80dB
Input sensitivity (all levels controlled at maximum position):
Mic input: -74 dBu (155 μ V)
Line input (mono): -54 dBu (1.55 mV)
Line input (mono): -34 dBu (15.5 mV)
 
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